Kathryn Arnold Kathryn Arnold

How To Make Indie Filmmaking Profitable In The Age of Tentpole Franchises

To some, indie filmmaking is an art form, to others a dream of of seeing their story come to life on the big screen, however, it is meant to be a profitable business.  Investors put money into a film, and expect to get their money back and receive a decent return on their investment.   I sat down with Cindy Nelson-Mullen, Co-CEO of MonteCristo International, an international sales agent/production company, and discussed with her the elements it takes to make a profitable film in this changing economic landscape

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